Review of Christian Apologetics: A Comprehensive Case for Biblical Faith by Douglas Groothuis.


Antony Flew spoke with Gary Habermas about his abandonment of atheism for a minimal form of theism (or deism), Flew, while not a believer in the resurrection, made this telling point about Christianity’s claim of resurrection with respect to other miracle claims: The evidence for the resurrection is better than for claimed miracles in any other religion. It’s outstandingly different in quality and quantity, I think, from the evidence offered for the occurrence of most other supposedly miraculous events” (My Pilgrimage from Atheism to Theism: A Discussion Between Antony Flew and Gary Habermas, p. 209).

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Review of Christian Apologetics: A Comprehensive Case for Biblical Faith by Douglas Groothuis

Craig L. Blomberg in discussing apparent contradictions comes close to denying inerrancy: “But if Matthew does not satisfy modern, scientific standards of precision, it is unfair to impose those standards on a first-century world that had not yet invented them. None of the differences affects the point of the story, which is the miraculous resurrection of the girl” (page 454). To this Blomberg adds, “No historian on any ancient document operates this way. A document that has proved generally reliable is not suddenly discounted because of just one demonstrable mistake.” So, Blomberg sounds like if the Bible has only “one demonstrable mistake” it is not out of step with other historical documents.

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Review of Christian Apologetics: A Comprehensive Case for Biblical Faith by Douglas Groothuis

In chapter twelve, The Design Argument: Cosmic Fine-Tuning, Groothuis states there is enough design evident at multiple levels of nature to infer that there is a Designer. However, there is also evidence of deformity, decay and disease, indicating that the design is often less than optimal. Thus, there is enough evidence to believe in a Designer, but not enough to claim a perfect creation. There is enough deformity to warrant the idea of the fall, but not enough to deface the idea of design entirely.

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